Stephen’s Cathedral in Vienna with Figures, 1910.įigure 9a: Cover page of Der Stürmer, June 1939.įigure 10: Adrain Ludwig Richter, In June, 1859.įigure 11: Adrian Ludwig Richter, Mein Nest is das Best, no date mentioned.įigure 12: Moritz von Schwind, The Honeymoon Journey, 1855.įigure 13: Arnold Böcklin, Self-portrait with Death the Fiddler, 1872.įigure 14: Arnold Böcklin, The Island of the Dead, 1883.įigure 15: Karl Spitzweg, The Poor Poet, 1839.įigure 16: Albert Speer, Reich Chancellery, Berlin, 1938-1939.įigure 17: Arno Breker, The Army and The Party, 1938. (Königliches) Hofbr ä uhaus, 1913.įigure 9: Adolf Hitler, St. Nazi Aesthetics in the Service of the people Ideological and aesthetical foundations The Artist in a Marching Society: Depicting a Dictatorship: The Contents of Volkish Art The Interrelations between Art and Politicsįigure 1: Adolf Hitler, Landscape with Farmhouse, 1907.įigure 2: Adolf Hitler, Village in the Wachau, 1910-1912.įigure 3: Adolf Hitler, The Minorite Church and Minorite Square in Vienna,įigure 4: Adolf Hitler, “Vienna Ratzenstadl”, 1910.įigure 5: Adolf Hitler, The Franz Ring with Parliament and Burg Theater,įigure 6: Adolf Hitler, Lamberg Castle in Steyr, Upper Austria, 1910-1912.įigure 7: Arno Breker, Bust of Richard Wagner, 1941.įigure 8: Adolf Hitler, Kg.
The origins of Artistic Degeneration: Chronological Framework “Esperanto art”: Liberalism, Modernism, Degeneration and the MetropolisĬultural Bolshevism as Marxist-Jewish conspiracyĭifferent stands in the debate over Expressionism Part F: The Politics of Culture in dispute : Nazi Art Critics between Degenerate Art and the Volkish Alternative Assault on Modernism Revolutionary Ideas turns into propagandaĪ Minister of Illusions: The case for Expressionism Part E: The Propagandist as Artist: Joseph Goebbels The Road to National Socialism Toward a theory of art, race and degenerationįrom Nordau’s Cultural degeneration to Schultze-Naumburg’s Racial Degeneration Insanity and modern art The History of degeneration and its causesĭegenerate artists The Racial Ideal of Beauty Ideal Volkish Art: From Ancient Greek to the German Romantic MovementĪrt and Politics Art and Artists in the service of the regime Part D: An Architect of Race – Paul Schultze-Naumburg Tangled in the Power Struggle: The Argument over Expressionism Trying to put ideology into Praxis: The Combat League for German Culture Part C: A Zealot of Nazi Aesthetics: Alfred Rosenbergįrom the study of architecture to the ‘Protocols of the Elders of Zion”
#Reinhard mey nazi how to#
How to paint a Dictatorship?: Hitler’s Volkish AlternativeĬlassicism: Optimal Past Early Romanticism versus Late Romanticism The Contents of Art and Leading Artists in the Third Reich Jews and Bolsheviks conspiring to destroy German Civilization Art and Politics in a Dictatorship Modernism, Liberalism, Cosmopolitanism, Avant-Garde The Weimar Republic as the herald of Kulturbolshewismus Wagner’s Legacy: The Jew as destroyer of Culture The Artist turns into Politician, 1889-1918 A failure at the Academy of Arts Early fantasies on the Gesamtkunstwerk An admirer of conservative art Hitler on Modern Degenerate Art Part B: An Artist in Politics: The Case of Adolf Hitler
The Interrelations between Politics and Aesthetics in Nazism Characteristics of the Modern era in dispute: Degeneration, Alienation and Kitsch Nazi Politics of Culture: Continuity, Uniqueness, or Change? Part A: Toward Theoretization: Art, Ideology and Politics in Nazi Germany Painting Totality Nazi leaders and Politics of Culture
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